Within the fashion industry, intellectual property (IP) enforcement operates quite differently than in other content industries.
Rather than being limited to certain areas and only being available at high prices, certain fashions find new life through designers using the ideas of other designers.
Editorial critique and commentary can be found in magazines, newspapers, on television, fashion websites, and on fashion blogs.
Fashion's social function is to express one's personality in a society with limited sometimes shallow interpersonal contact while it exudes creative artistic expression.
Fashion often combines vintage and modern clothing, taking a page out of the bohemian movement of fashion.
Vogue, founded in the United States in 1902, has been the longest-lasting and most successful of the fashion magazines.
The terms "fashionable" and "unfashionable" are employed to describe whether someone or something fits in with the current popular mode of expression.
The fashions of the West find no parallel in antiquity nor in the other great civilizations of the world.
Initially, changes in fashion led to a fragmentation of what had previously been very similar styles of dressing across the upper classes of Europe.
Most forms of media serve as a bridge to connect high fashion with the everyday consumer, dictating what is popular and what is unpopular.
Fashion has been used as an indicator of social class or social status, or as a gauge of how attuned they are to the popular trends of the time.
Each generation offers a different interpretation of where art and fashion intersect.
Whereas IP enforcement is often seen as a key issue within the film and music industries, many have suggested that lack of enforcement contributes positively to the fashion industry.
Other people, especially young people, enjoy the diversity that changing fashion can provide, seeing the constant change as a way to satisfy their desire to experience new and interesting things.
Fashion designers often hire painters or sketch artists to draw up several ideas according to the designer’s qualifications.
Talented illustrators drew exquisite fashion plates for the publications which covered the most recent developments in fashion and beauty.
Fashion has been described as an art by many designers, critics, and consumers, as fashion is a sign of creative self expression, not just a series of garments or accessories haphazardly put together.
The evolution of fashion has been a response to cultural changes, but the fashion industry also has initiated its own clothing trends.
At the same time, fashion can mark people as conformists: in the work place, especially associated with the division of labor, most workers wear similar styles of clothes, or very formal attire.
Bright colors, the toga, and the Etruscan wardrobe are staples of ancient Greek and Roman fashion.
Women's fashion, especially in the dressing and adorning of the hair, became equally complex and changing.
The struggle for fashion through the twenty-first century is between independent creativity and marketable corporate investments.
Fashion is seen as a display of individuality; a person's fashion gives the world around them an idea of who they are.
Hints of impressionist art were also present in fashion at this time, as several designers used fluid lines and flimsy, diaphanous materials to create their fashions.
Their wigs, hairpieces, make-up, and jewelry are evidence of an extensive fashion culture, and much of their art depicts the importance it held in their society.
The term fashion is often used to denote a prevailing style of dress.
Copying and emulating previously existing fashions are not seen by some as detrimental to the industry, but rather as a force for continuous cultural evolution.
Note, however, that in 2006 some have reclassified the galidiines into another family Eupleridae, and list only one subfamily of mongooses, the Herpestinae, consisting of about 29 or 30 species.
The danger of this development is a tendency to lead to a homogenization of fashion where little or no new ideas are born.
Fashion is a staple of daily life: it is accentuated in media and celebrated as an art form.
Popular television and movies are known for paying careful attention to the fashions that their actors wear.
Celebrities may be paid to wear certain fashion brands, hoping to raise the popularity and status of that brand.
Fashions may vary significantly within a society according to age, social class, generation, occupation, and geography.
At the same time there remains an equal or larger range of styles designated "out of fashion."
Some reject mainstream fashion and create their own style through thrift stores or vintage and used clothing.
The sixties brought with it fashion inspired by psychedelia and pop art, art inspired by optical illusion.
Fashion relies on this popularity to sell and remain socially relevant.
Hints of impressionist art were also present in fashion at this time, as several designers used fluid lines and flimsy, diaphanous materials to create their fashions.
The terms "fashionista" or "fashion victim" refer to those who slavishly follow the current fashions.
When fashion magazines began to include photographs in the early twentieth century, they became even more influential than in the past.
Fashions are a social psychological phenomena common to many fields of human activity and thinking.
Television coverage began in the 1950s with small fashion features.
Georg Simmel suggested that fashion is a method for the individual to assert him or herself.
Popular television and movies are known for paying careful attention to the fashions that their actors wear.
During this period, national differences were at their most pronounced, as Albrecht Dьrer recorded in his contrast of Nuremberg and Venetian fashions at the close of the fifteenth century.