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Did Ernest Hemingway ever write for the New Yorker?

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Lillian Ross spends a few days in New York talking with the writer Ernest Hemingway, the author of “A Farewell to Arms” and “The Sun Also Rises.” ... That precipitated an emotional crisis I thought I would never get him out of but did, with about a pint of Chianti. We each took a pint out with us. read more

Because Hemingway, when he was a young writer who needed work, did write for a Canadian newspaper called the Toronto Star, and they mention it from time to time. I cannot imagine that the New Yorker would omit to mention Hemingway’s contributions to their archives. read more

“We want to focus not on the man and legend but on the writer,” Declan Kiely, the curator of literary and historical manuscripts at the Morgan Library, declared recently, amid the heretofore unexhibited typescripts, notebooks, letters, handwritten drafts, first editions, and correspondence that constitute “Ernest Hemingway: Between Two Wars,” described as the “first ever major museum exhibition” to focus on the writer’s work. read more

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Do you think that Hemingway knew he was a writer at twenty years old? No, he did not. Or Fitzgerald, or Wolfe. This is a difficult concept to grasp. Hemingway didn't know he was Ernest Hemingway when he was a young man. Faulkner didn't know he was William Faulkner. But they had to take the first step. They had to call themselves writers. That is the first revolutionary act a writer has to make. It takes courage. But it's necessary
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