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Types of Archetypes

Approach To The Inmost Cave
Approach To The Inmost Cave

This article is part of our series on the hero's journey, starting with The Hero's Journey Introduction and The Archetypes of the Hero's Journey. Approach to the Inmost Cave. The hero has adjusted to the special world and goes on to seek its heart, the inmost cave. She passes into an intermediate zone with new threshold guardians and tests.

source: thoughtco.com
Call To Adventure
Call To Adventure

The Call to Adventure can come in the form of a message, letter, phone call, dream, temptation, last straw, or loss of something precious. It is usually delivered by a herald.

source: thoughtco.com
Comedy
Comedy

Do you know your comedy archetype? Check out these 10 and see where you fit in!

source: backstage.com
Crossing The Threshold
Crossing The Threshold

According to Christopher Vogler's The Writer's Journey: Mythic Structure, crossing the first threshold is often the result of some external force that changes the course or intensity of the story: someone is kidnapped or murdered, a storm hits, the hero is out of options or pushed over the brink.

source: thoughtco.com
Meeting The Mentor
Meeting The Mentor

The Hero's Journey - Meeting with the Mentor ... undiluted energy of the mentor archetype, Vogler says. Meeting with the Mentor. ... Meet the Samurai Women of Asian ...

source: thoughtco.com
Ordeal
Ordeal

The Ordeal is the critical moment in every story, a major source of magic in heroic myth, according to Christopher Vogler, author of "The Writer's Journey: Mythic Structure." The hero stands in the deepest chamber of the inmost cave and faces a direct confrontation with his greatest fear.

source: thoughtco.com
Ordinary World
Ordinary World

The hero's journey begins with the hero in the ordinary world, going about ordinary life, except that something isn't quite right. The hero's journey begins with the hero in the ordinary world, going about ordinary life, except that something isn't quite right.

source: thoughtco.com
Overcoming the Monster
Overcoming the Monster

Overcoming the Monster is an underdog story where the hero sets out to destroy an evil of some kind. Generally, this evil is something larger or greater than the protagonist, and will take great courage and strength to defeat (the story would be over rather quickly otherwise).

Rags to Riches
Rags to Riches

Rags to riches refers to any situation in which a person rises from poverty to wealth, and in some cases from absolute obscurity to heights of fame—sometimes instantly.. This is a common archetype in literature and popular culture (for example, the writings of Horatio Alger, Jr. and recently J. K. Rowli

Rebirth
Rebirth

The symbols of rebirth are: The cave; an egg; spring; the tree; the cross; dawn; emerging out of the sea; the snake; the bird; a seed; arising from the earth or faeces; green shoot from a dead branch or trunk; phoenix; drinking alcohol or blood red wine; flame; a pearl; the womb.

source: dreamhawk.com
Refusal Of The Call
Refusal Of The Call

Retrieved from https://www.thoughtco.com/heros-journey-the-call-to-adventure-31348 Peterson, Deb. "The Hero's Journey - The Call to Adventure and the Refusal of the Call." ThoughtCo. https://www.thoughtco.com/heros-journey-the-call-to-adventure-31348 (accessed June 16, 2018).

source: thoughtco.com
Tests, Allies, Enemies
Tests, Allies, Enemies

Tests, Allies, Enemies The two worlds have a different feel, a different rhythm, different priorities and values, different rules. The most important function of this stage in the story is the testing of the hero to prepare her for the ordeals that lie ahead, according to Vogler.

source: thoughtco.com
The Everyman
The Everyman

The Everyman archetype helps customers be OK just as they are. This is a good archetype for brand which give people a sense of belonging, with everyday functionality, low to moderate prices, produced by solid company and differentiation from elitist or high-priced brands.

The Hero
The Hero

The hero is the audience’s personal tour guide on the adventure that is the story. It’s critical that the audience can relate to them, because they experience the story through their eyes. During the journey, the hero will leave the world they are familiar with and enter a new one.

The Innocent
The Innocent

Character Archetypes 101: The Innocent The Innocent is the first archetype on the couch in my new series. (If you missed the series introduction, click here.) The Innocent is also known in archetype circles as the child, Utopian, traditionalist, saint, romantic, and the dreamer.

The Mentor
The Mentor

The Mentor. Archetypes. Just to refresh your memory, let me define archetypes again. An archetype is an original model of a person, ideal example, or a prototype after which others are copied, patterned, or emulated; a symbol universally recognized by all. Archetypes are scattered everywhere in media.

The Quest
The Quest

The quest/journey situation - a search for origins, identity, perfection, fulfillment, love, treasure, fame, wisdom, or salvation. It sends the hero in search for some truth or information necessary to restore fertility, justice, and/or harmony to a trouble land.

source: quizlet.com
The Villain
The Villain

Villains aren’t an archetype, but a necessary character type for any story. But there are many villainous archetypes a villain can fit into, some of which will be listed in this post.

Tragedy
Tragedy

The Characteristics of an "Archetypal" Tragic Hero Noble Stature: since tragedy involves the "fall" of a tragic hero, one theory is that one must have a lofty position to fall from, or else there is no tragedy (just pathos).

Voyage and Return
Voyage and Return

The Voyage and Return is very common in children’s literature because it generally involves a journey to a magical land that pops up out of nowhere. The magic element is pretty sunny and light to start with, and then the darkness shows up for the hero to conquer.

image: sparkol.com