Printmaking is the process of making artworks by printing, normally on paper. Printmaking normally covers only the process of creating prints that have an element of originality, rather than just being a photographic reproduction of a painting.
Drypoint is a printmaking technique of the intaglio family, in which an image is incised into a plate (or "matrix") with a hard-pointed "needle" of sharp metal or diamond point.
"Hand engraving" is a term sometimes used for engraving objects other than printing plates, to inscribe or decorate jewellery, firearms, trophies, knives and other fine metal goods. Traditional engravings in printmaking are also "hand engraved", using just the same techniques to make the lines in the plate.
Etching is a form of printing that along with engraving comes under the category of Intaglio. Images printed (etchings) by this process are the result of ink being forced out of the incised lines in a zinc or copper plate using a heavy press.
Intaglio (/ ɪ n ˈ t æ l i. oʊ / in-TAL-ee-oh; Italian: [inˈtaʎʎo]) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print.
In part one of this article the basic printmaking techniques relief printing and intaglio printing were discussed and the relief techniques woodcut, wood engraving and linocut were introduced. This second part is about the intaglio printmaking techniques - engraving, drypoint, etching, aquatint, stipple, mezzotint.
Linocut printing; using a design cut into linoleum to make a print on paper Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of woodcuts and engravings.
Offset lithography or offset or photo-mechanical print One of the four major industrial printing techniques of which the others are: letterpress, photogravure and screenprinting. It has become the most commonly used method in commercial printing, although its importance in printmaking is not very great.
Mezzotint is a printmaking process of the intaglio family, technically a drypoint method. It was the first tonal method to be used, enabling half-tones to be produced without using line- or dot-based techniques like hatching, cross-hatching or stipple.
Planographic printing means printing from a flat surface, as opposed to a raised surface (as with relief printing) or incised surface (as with intaglio printing). Lithography and offset lithography are planographic processes that rely on the property that water will not mix with oil.
Relief printing, in art printmaking, a process consisting of cutting or etching a printing surface in such a way that all that remains of the original surface is the design to be printed. Examples of relief-printing processes include woodcut, anastatic printing (also called relief etching), linocut, and metal cut.
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts.
Masking stencil – is a cut out shape the block the transfer of ink to the paper or fabric or other printing surface. (examples below) Print – is an impression, mark that is made under pressure.
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts.