Alhaiya Bilaval is a Hindustani classical raga. It is the most commonly performed raga of a large group of ragas that are mainly based on a scale more or less identical to the western major scale. For this reason, that scale itself is known as the Bilaval Thaat.
Bageshri (Hindi: बागेश्री) is a Hindustani classical raga. It is a popular raga of the late night, which is meant to depict the emotion of a woman waiting for reunion with her lover. It is said to have been first sung by Mian Tansen, the celebrated court singer of the Emperor Akbar in the sixteenth century .
Raag Bhairavi (Hindi: भैरवी) (Urdu: بَھیرَوی ) (Sindhi: راڳ ڀيروي) is a Hindustani Classical heptatonic Raag of Bhairavi Thaat. In Western musical terms, Raag Bhairavi employs the notes of the Phrygian mode, one of the traditional European church modes.
A raga or raaga (IAST: rāga; also raag or ragam ; literally "coloring, tingeing, dyeing") is a melodic framework for improvisation akin to a melodic mode in Indian classical music. While the raga is a remarkable and central feature of the classical music tradition, it has no direct translation to concepts in the classical European music tradition.
Kedar is one of the 5 ragas that form the Kalyan Panchak - Group of 5 similar ragas of Kalyan Thaat, namely Hameer, Gaud Sarang, Kamod, Chhayanat and Kedar. Kedar is an ancient raga, with different genres of classical songs, like khayals, thumris, dhrupads, as well as light classical songs based on it.
Raga Pahadi is a popular raga based on folk music. As its name suggests, it originates from the mountainous region of Himalayas. It resembles two other ragas which exude the rich cultural heritage of folk music: Mand from the Rajasthan region and Pilu from the Hindi heartland.
Yaman's Jati is a Sampurna raga and in some cases Shadav; the ascending Aaroha scale and the descending style of the avroha includes all seven notes in the octave ( When it is Shadav, the Aroha goes like N,RGmDNS' , but the Avaroha is the same complete octave).