Aeolian harmony is harmony or chord progression created from chords of the Aeolian mode. Commonly known as the "natural minor" scale, it allows for the construction of the following triads (three note chords built from major or minor thirds), in popular music symbols: i, ♭ III, iv, v, ♭ VI, and ♭ VII.
The major scale consists of seven different pitches. There are half steps between the third and fourth and seventh and eighth scale degrees; whole steps exist between all other steps. Below is a the C major scale. The pattern of whole and half steps is the same for all major scales. By changing the first note, then using the pattern as a guide, you can construct any major scale. Likewise, if you know the pattern for any other scale, you can create them, too.
Scales refer to a series of notes that go in an ascending and descending manner. The major scale is the foundation from which all other scales are formed. The notes on a major scale are numbered from 1 to 8, this signifies the intervals. Formula to Form a Major Scale. There is a simple formula you can apply to form a major scale. Keep in mind, there are 12 semitones (or notes) that form an octave in western music.
Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it), one of the medieval musical modes, or, most commonly, one of the modern modal diatonic scales, corresponding to the white notes from D to D, or ...
The Major Scale. The major scale consists of seven different pitches. There are half steps between the third and fourth and seventh and eighth scale degrees; whole steps exist between all other steps. Below is a the C major scale. The pattern of whole and half steps is the same for all major scales.
Here's a list of all major scales in order of fifths. Each scale includes the notes, diatonic triads within in the key, and the relative minor. Use this list alongside the circle of fifths to help yourself understand and memorize scales and their relationships with one another.
Glarean's twelfth mode was the plagal version of the Ionian mode, called Hypoionian (under Ionian), based on the same relative scale, but with the major third as its tenor, and having a melodic range from a perfect fourth below the tonic, to a perfect fifth above it (Powers 2001c).
A Mixolydian scale is a major scale starting on the 5th step of the scale. So it's basically a major scale with a flattened 7th which makes it harmonise with a dominant 7 chord. It's got a slightly happier vibe than a Dorian scale and a slightly sadder vibe than an Ionian(Major) Scale.
Pentatonic scales tend to sound good despite random orders due to the absence of dissonant intervals between them. This is one of the most commonly used scales for rock and guitar music due to its great sound during chord changes in a key. One can locate the pentatonic scale easily with a piano by simply pressing the black notes.
Flamenco music uses the Phrygian scale, together with a modified scale resembling the Arab maqām Ḥijāzī (like the Phrygian dominant but with a major sixth scale degree), and a bimodal configuration using both major and minor second and third scale degrees .
In western music theory, a diatonic scale is a heptatonic scale that includes five whole steps (whole tones) and two half steps in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale.
Relationship to major keys. If a piece of music (or part of a piece of music) is in a major key, then the notes in the corresponding major scale are considered diatonic notes, while the notes outside the major scale are considered chromatic notes.
Harmonic Minor. The harmonic minor scale differs from the natural minor scale in only one way – the 7th scale degree is raised by half-step. In other words, in a natural minor scale the 7th scale degree is a minor 7th, whereas in a harmonic minor scale the 7th scale degree is a major 7th (and will be a half-step away from the root of the scale).
The natural minor scale can be thought of as a major scale with the 3rd 6th and 7th notes lowered by one half step. By altering these notes we also change the intervals which make up the scale. Also, most of the time when we refer to a ‘minor' scale we're generally referring to the natural minor.