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Types of Theatre Stages

Ancillary Areas:
Ancillary Areas:

Like a thrust stage, scenery serves primarily as background, rather than surrounding the acting space. Arena Theatre: A central stage surrounded by audience on all sides. The stage area is often raised to improve sightlines. Flexible theatre: Sometimes called a "Black Box" theatre, these stages are often big empty boxes painted black inside.

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Arena Theatres
Arena Theatres

A theatre in the round, arena theatre or central staging is a space for theatre in which the audience surrounds the stage. The Glenn Hughes Penthouse Theatre in Seattle, Washington was the first theatre-in-the-round venue built in the United States.

Autobiographicals
Autobiographicals

Directing Autobiographical Theatre. Download. Directing Autobiographical Theatre. Author. Blessing Olisa ...

source: academia.edu
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Black-box or Studio Theatres
Black-box or Studio Theatres

A black box theater (or experimental theater) consists of a simple, somewhat unadorned performance space, usually a large square room with black walls and a flat floor. It is a relatively recent innovation in theatre.

Comedy
Comedy

A comedy is entertainment consisting of jokes intended to make an audience laugh. For ancient Greeks and Romans a comedy was a stage-play with a happy ending. In the Middle Ages, the term expanded to include narrative poems with happy endings and a lighter tone.

End Stage:
End Stage:

– End Stage: An End stage is the same as the Thrust stage but in this case the audience is located only on the front of the stage and doesn’t extend around it. “Backstage” is behind the background wall.

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Flexible Theatre:
Flexible Theatre:

– Thrust theatre stage: A thrust theatre stage is known by its arrangement which consists of being surrounded by audience on three sides. The Fourth side serves as the background. Often the playing area is of square or rectangular shape, usually raised and surrounded by raked seating.

Fringe Theatre
Fringe Theatre

Fringe theatre festival organization One distinction between fringe festivals and conventional arts festivals is the method used to choose participants. Typically, conventional festivals use a jury selection process, whereas many fringe festivals do not use a jury process in their selection criteria.

Hippodromes
Hippodromes

The Hippodrome Theatre at the France-Merrick Performing Arts Center (the “Theatre”) is committed to creating a safe, comfortable and enjoyable entertainment experience for all of our patrons. Guests have a right to expect an environment where: Guests will be treated in a consistent, professional and courteous manner by all Theatre personnel.

Historic Plays
Historic Plays

Duluth's historic NorShor Theatre stages a revival. ... "Historic theaters play such an important symbolic role in cities the size of Duluth," said Ness, ...

source: mprnews.org
Immersive Theatre
Immersive Theatre

In an immersive theatre production, the audience in some way plays a role, whether that is the role of witness or the role of an actual character. They may be allowed to roam and explore the performance space as the performance happens around them, allowing them to decide what they see and what they skip.

source: space.org.uk
Melodrama
Melodrama

Melodrama was the primary form of theatre during the 19 th century, despite other influences, becoming the most popular by 1840. Melodrama is still with us today. In the early 1800’s, most were romantic, exotic, or supernatural.

Musical
Musical

Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Open air Theatres
Open air Theatres

Although theater came firmly insidewith the introduction of the proscenium arch, open-air drama,whether on the streets or in municipal parks, has never died out. Britain's best known outdoor venue is the Open Air Theatrein Regent's Park, London. Ben Greet began to stage plays in the parkwith his Woodland Players in 1900.

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Platform Stages
Platform Stages

Eureka Springs Music Park, a music sculpture park with an outdoor platform stage located in a city parking lot on North Main Street in an area targeted for revitalization through economic development.

Profile Theatres:
Profile Theatres:

– Thrust theatre stage: A thrust theatre stage is known by its arrangement which consists of being surrounded by audience on three sides. The Fourth side serves as the background. Often the playing area is of square or rectangular shape, usually raised and surrounded by raked seating.

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Proscenium Stage
Proscenium Stage

Stage Types: – Proscenium stage: A proscenium it can be said that it’s a “window” that frames the play taking place on the stage. This type of stage, gives everyone in the audience a good view because the performers need only focus on one direction rather than continually moving around the stage to give a good view from all sides.

Proscenium Stages
Proscenium Stages

A proscenium theatre arrangement also simplifies the hiding and obscuring of objects from the audience’s view (sets, performers not currently performing, and theatre technology). Anything that is not meant to be seen is simply placed outside the “window” created by the proscenium arch, either in the wings or in the fly space above the stage.

Theatres in-the-Round
Theatres in-the-Round

A theatre in the round, arena theatre or central staging is a space for theatre in which the audience surrounds the stage. The Glenn Hughes Penthouse Theatre in Seattle, Washington was the first theatre-in-the-round venue built in the United States.

Thrust Theatres:
Thrust Theatres:

A thrust stage at the Pasant Theatre In theatre, a thrust stage (also known as a platform stage or open stage) is one that extends into the audience on three sides and is connected to the backstage area by its upstage end.

Tragedy
Tragedy

Both Bertolt Brecht and Augusto Boal define their epic theatre projects (non-Aristotelian drama and Theatre of the Oppressed, respectively) against models of tragedy. Taxidou, however, reads epic theatre as an incorporation of tragic functions and its treatments of mourning and speculation.